Acts of Service, by Lilian Fishman

 Acts of Service is a novel set in Brooklyn, New York, centring around Eve, a New Yorker in her twenties who is finding her own sense of sexual freedom and queer identity. This was a fascinating book, exploring a variety of somewhat philosophical themes, from sexual identity and exploration to the ideas surrounding personal freedom. Amid a landscape of polyamory, Fishman unpicks the intricacies of sexuality and the interplay of power and dominance – does one need to be dominant to feel powerful? 

Being on the autistic spectrum myself, I find human sexual behaviour both foreign and intriguing. Hence the decision to pick up this book – a unique genre/ topic to me. I did enjoy the book, as my interest was sustained by the slightly unusual narrative style where the story unfolds within a very small geographical space, namely a few bedrooms and coffee shops. Yet Fishman purposefully uses this set-up to create room for the human physical intimacies to inspire the very story itself. Thus, reinforcing the power of body language as a powerful method of communication.

A further question Fishman explores is the definition of love. Juxtaposing romantic love and its accompanying emotions, many of which we may see in the public sphere, with intimate love, a more private affair, where hidden desires and sexual fires are unearthed, along with emotions of passion, desire, and lust. Fishman prompts the reader to consider if both romance and intimacy can be considered under this umbrella of love. 

By featuring such weighty topics, Fishman creates a subtly philosophical landscape, using the central characters of Eve, Nathan and Olivia as a vehicle from which to consider wider ideas such as dual identity and the varying personas people portray within public and personal spaces. As someone who finds vulnerability and human behaviour challenging, it was even more interesting to read about how the trio of main characters each deciphered their partners’ attitudes and level of confidence through the feeling of their body. 

My one criticism is that the ending felt a little rushed and disconnected to the main story line. I felt Fishman was trying to increase the tempo near the end by including a slight plot twist and subversion of expectations, yet I don’t feel she fully integrated this into the prior storyline, resulting in a slightly disjointed ending. Regardless, this was certainly not a regrettable read, since it is important to bring to light the topic of vulnerability, as I believe it is a gift to find someone with whom you can feel free with and take down all personal defences. This may be easier said than done, but not out of the realm of possibility…

- Scarlett

Paperback, £13.99.

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Don't Look Now, by Daphne Du Maurier - A Short Story!

About a week ago a regular customer recommend I watch the 1970’s film “Don’t Look Now”. After a little research I found it was based on a short story by one of my favourite authors, Daphne Du Maurier, and of course, I had to read it first! I had been warned that reading it would spoil the ending. But oh boy, it definitely did not ruin it. 

Daphne beautifully sets the scene and characters in an instant. A sceptical husband and his anxious, grieving wife on holiday in Venice. They are there to recover some semblance of a normal relationship after losing their daughter. There is subtle humour in the way Du Maurier describes the old familiar feel of the relationship, and later when she shows the husbands shortening of temper as the holiday is gradually ruined by a couple of clairvoyant Scots. Seemingly without effort Du Maurier creates tension and weaves important little details into this intriguing tale of 50 short pages. I was paying close attention to detail, having been sold the story on the promise of a whopper of a plot twist but I was still left stunned.

No, I’m not going to give it away! You have to read it for yourself.

- Anara

Hardback, £14.99. Find it in the short stories & poetry section!

The Girls I've Been, by Tess Sharpe

Oooooh, I'm glad I impulse bought this one!

Ever since she was old enough to say her name, Nora has been given a new one by her mother. She created a new person for Nora to become five times throughout the first sixteen years of her life. First, there was Rebecca. Then Samantha. And then Haley. Katie. And finally Ashley.

Her mother took on new names too. Why? Because she was a con artist. She targeted dangerous men, forced her way into their hearts, made her child do her bidding, and when they just started to get comfortable, her mother stole their mark's fortune and ran off into the night, dragging along whichever daughter she had created that day... month... year...

But that's all in the past. Her mother is in prison, Nora chose this name herself, and she's safe with her sister. Well, almost. But what are the odds of being held at gun point at a bank robbery with your new girlfriend and ex-boyfriend?

Surely zero, right?

Wrong.

This is a gripping read. I love when a narrative plays with timelines, and we get multiples of stories progressing side-by-side, building just the right amount of tension and suspense. Each of Nora's past selves builds a deeper and more desperate picture of who she is, and to see her in so much danger in the present tense, even when she's away from a life of swindling and deception, feels tragic. I felt a distinct urge to protect her, and to hurt any person who threatened her safety.

Our narrator is a criminal, but a reluctant one. A manipulated one. But not naïve. Oh, no. Nora knows her way around a man with a gun. We get to see how Nora uses her dangerous past; her different identities to get through this harrowing experience. And it's dark to see someone who has experienced so much pain, utilise the skills that she never should have learned in the first place. 

Just a fabulous and innovative story. Incredible characters with nuanced and beautiful connections. A true testament to the strength that comes with trauma, and that you shouldn't mess with savvy teenagers!

- Sian

CW: abuse, violence, manipulation, CPTSD, anxiety

The Swimmers, by Julia Otsuka

This is the first novel of Julie Otsuka’s that I have read, and it won't be the last. It is a stunning masterpiece about ageing, memory, and the experiences that shape a life.

The story begins with a group of swimmers who all belong to the same community pool. Each member of the group has their own story to tell, but it's Alice who becomes obsessed with a mysterious crack that appears at the bottom of the swimming pool. Some of the group are curious; others start to panic, believing this could be the end of the swimming adventures they all so enjoy.

It's towards the end of this story that Julia Otsuka's writing takes on such beauty, tenderness, and heartbreak, as Alice struggles to hold onto her sense of self. She feels she is still here, but she's viewed differently by her husband, her daughter, her friends.

Dive in and read this wonderfully heartbreaking but life-affirming book. We can all learn about the importance and value of life, being who we are meant to be. Otsuka's writing is a delight to discover, and one should savour every poetic word. You will not be disappointed.

- Milly

Hardback, £12.99. Find it in the Fiction section!

Worn, by Sofi Thanhauser

This book confronts us with the awful realities of the textile industry, uncovering a world where the people who make our clothes now are seldom paid what they deserve and are often harmed by the industry. The book has sections on linen, cotton, silk, synthetics, and wool. As Sofi explains, “… the history and reportage [this book] contains is weighted towards understanding the U.S.’s role in building a global garment trade that touches every corner of the world.” Although it's definitely U.S.-centric, part of the section on wool describes the author’s visit to Woolfest in Cumbria one year.

This is not a light read. Although the narrative is mostly about Thanhauser’s visits to factories; people’s homes; and workplaces, it is very fact-heavy and depressing reading. Cotton uses 8,500 litres of water to make 1Kg but wheat only needs 900 litres. About 24 per cent of the world’s insecticide is used for cotton farming, polluting water supplies. A pair of jeans uses 20,000 litres of water – the amount that could be used to grow the wheat needed to bake a loaf of bread every week for a year.

It's unlikely that anyone looking for cheap clothing on the UK high streets has any idea of the human activity (and suffering and exploitation). It might also be unlikely that they care.

- Colin

Hardback, £20. Find it in the History section!

Station Eleven, by Emily St. John Mandel

From her position on stage, eight-year-old Kirsten witnesses the death of a Hollywood icon during his performance as King Lear at a Toronto theatre. That same evening a deadly flu virus arrives in the city, and within days the world as we know it has collapsed. Twenty years later, Kirsten is herself an actor, touring Shakespeare with the Travelling Symphony, crossing dangerous territory to bring theatre and music to communities of survivors.

This could easily have been written during the first lockdown of 2020 but was actually published six years earlier, and other than the virulence of the disease and the vast death toll, nothing in here feels exaggerated. The reactions of the protagonists and the world around them feel very real, even down to the bulk-buying of toilet paper in an early chapter.

But this isn’t really a book about a virus, or even about the end of the world. It’s a book about human connection, even where that connection is tangential, and about the importance of the things ‘beyond survival’ that bind us together. While the narrative arcs back and forth between characters, times and places both pre- and post-pandemic, the connections are subtly and sometimes surprisingly revealed.

It's a tribute to the quality of the storytelling here that I have continued to think about elements of the story in the weeks since reading it. This is not a happy book, but it is gently reassuring, and it repeatedly reminds us that ‘Survival is Insufficient’. Being human is not merely about existing and procreating, but also, and more importantly, it’s about memory, connection, the things we carry with us and the things we leave behind.

- Paul

Paperback, £9.99. Find it in the fiction section!

Tipping the Velvet, by Sarah Waters

Purchased from Gay's the Word; the most fantastic all-LGBTQIA+ bookshop in Bloomsbury, London. Upon standing in front of the storefront, I declared to my friend: "I am in search of historical gays!" I wanted a story of incognito queers from decades; heck, CENTURIES passed. I wanted androgyny and bravery and a total disregard for strict social codes.

Oooooh boy, did Sarah Waters come THROUGH!

Tipping the Velvet follows Nancy Astley, as she falls in love with a performer at the music halls, Kitty Butler. Kitty dresses as a man in her act, and Nancy is completely enthralled by it all. Things escalate quickly and, after moving to London with Kitty, she finds that things aren't as simple as falling in love and building a life when you're both women. Nancy finds herself tumbling all over London, trying to find herself with one foot in one world, and one in another.

Nancy sees it all: cross-dressing, prostitution, rags and riches, sex, androgyny, homophobia, ostracisation, heartbreak, familial bonds - both blood and chosen - acceptance, social change... her world is a chaotic blur of over ground and underground cultures battling it out. Not once does Nancy even consider re-joining the straight-laced (pardon the pun) life she was born into, and she is heroic in her efforts to stand proudly and independently in her resolve. I admire her courage and tenacity; though I cringe at her greed and shallowness.

She is by no means a diamond in the rough, but is as scuffed and filthy as the rest of the world. And that's how she gripped me! She didn't necessarily deserve stability, sanctuary, and security any more than any other character in this book, so I just had to know whether or not she found it!

This book has a message of forgiveness; of personal growth, and understanding when to let go. It reminds us that we can build communities around us that make us feel whole and safe. As a queer individual, this is especially powerful, and I implore anyone who identifies under the LGBT+ umbrella to read this book! But no one under 18... it's a little graphic at times!

A new firm favourite; one of the best books I've read in YEARS!

- Sian

Paperback, £8.99. Find it in the fiction section!

The Murder of Roger Ackroyd, by Agatha Christie

In this Agatha Christie masterpiece, first published in 1926, the great detective Poirot has retired to King's Abbot, home of an old friend of his, the wealthy Roger Ackroyd. Despite hoping to remain anonymous, Poirot's peace is shattered when Ackroyd is murdered.

Dr Sheppard was at Ackroyd's house the night of the murder, and over the course of the investigation, he appears as Poirot's sidekick, since Hastings has married and is now living in Argentina.

The narrative is told from Dr Sheppard’s point of view as he documents the investigation, the sparks of genius from Poirot, and his famous little grey cells. As Hastings did before him, Sheppard gives insight into the workings of Poirot's analytical mind, as well as throwing light on the nuances of the suspects. Whilst Poirot sees them as pieces of the puzzle, Sheppard reveals them as people who are as flawed, as they are good.

Between the murder and the big reveal, the plot contains Agatha Christie's famous twists and turns. There are plenty of red herrings and many interpretations of the facts presented. This book is famous for its unusual and, at the time, innovative, ground-breaking ending. It is the kind of book you want to go back and read again once the killer has been revealed, to see if the clues do in fact, fit the revelation.

Christie's book are timeless, satisfying the need for a great whodunnit, as successfully as they did on first publication. Her ability to write twisting plots and multi-layered characters still captures the imagination of generation after generation.

The Murder of Roger Ackroyd was voted the best novel ever by the British Crime Writers Association in 2013. It would be a crime not to read it! It is my favourite of all the brilliant novels Agatha Christie wrote and is a treat for fans of this genre.

- Milly

The Great Gatsby, by F. Scott Fitzgerald

Our narrator - and only redeemable character - Nick moves into a small rented home, next door to an almost constant party. He discovers that somehow he knows the mysterious Gatsby, who hosts the parties in his mansion. 

I know this story is meant to be a renowned romance but I just can't believe Gatsby's claim of true love. I did not see any depth of feeling: merely Gatsby’s obsession with a woman he once dated. I feel the reality of it is that Gatsby was a poor man who latched on to the idea of wealth, which seems to have gotten mixed up with his feelings for Daisy, who is herself superficial and frivolous. Gatsby is so completely enamoured by their glamor and beauty, that he forgets about substance. And in order to win her he must prove himself to her. He must prove “new money” is as good; as influential as “old money”. This is the difference between Gatsby and the Bucanans.

The Bucanans and their friends seem to simply sit around drinking and using other people for their entertainment. All the characters are deplorable, which I can stand in some literature (I’m looking at you Cathy and Heathcliff!) when there is more to the love connection than admiration for looks or the way a woman carries herself. I could find no redeeming features or motives in this crowd. It ultimately shows the influence and power behind old money, and the horrible truth: people with money and social power get away with murder.

I feel like Fitzgerald was a little lazy with his conveniently connected but unconnected characters and their placements, e.g. Nick conveniently moving in next door to Gatsby, and his previous separate connections with both Daisy and Gatsby.

Generally, I love classic fiction, but I did not get on well with Fitzgerald. I found this classic hard to get into, with Fitzgerald’s writing style being a little too poetic and vague to really get my teeth into. The characters were unlovable and flimsy. I would recommend that anyone wanting to be introduced to classics choose something else.

- Anara

Paperback, £6.99. Find it in the Classics section!

The Georgians, by Penelope J. Corfield

This book left me stunned. How can one person, even an Emeritus Professor like Corfield, know so much about so many topics – and have the skill to fit them together in this highly, highly readable Rubik’s cube? She admits in the introduction that the book has taken many years to complete and I can believe it. I have seldom read a book that covers so much so well.

The book comprises five parts:
I. The Georgian Debating an Age of Change
II. The Georgians Experiencing Change in Daily Life
III. The Georgians Ruling and Resisting
IV. The Georgians in Social Ferment
V. The Georgians Viewed Long

Oh, and approximately sixty pages of erudite endnotes.

 As can be deduced from that structure, Corfield shows us how things changed over the long eighteenth century, illustrating points with the stories of individuals; citing books; and at the end of each chapter, suggesting further reading; a list of places to visit in person or online; and even a Youtube performance of The Rivals. She makes the point that Georgians were aware of change, and were keen to share their views about it, for better or worse. Corfield goes back to sources and debunks several myths.

Based upon Corfield’s book, my belief is that the reason it’s so interesting to look back and study the Georgian Age was because, as she states, the numbers of both men and women who were literate and numerate overtook – for the first time in Britain’s history – the numbers of the illiterate and innumerate. That increase in people who COULD write, translated into an increase in the numbers who DID write – and hence we have so much more evidence of contemporary thoughts and beliefs than we do for previous ages.

But it is such a comprehensive book and so well argued that you might have a different view – and so might I, the next time I read it. And I shall re-read it, probably several times – and certainly keep it as my “go to” reference book for ALL aspects of life from the 1690s to the 1830s.

- Colin

Hardback, £25. Find it in the history section!

Flush, by Virginia Woolf

Anyone who's visited the store with their perfect pooch in tow can testify to the fact that I am a passionate advocate for dogs. As a cause, it is my number one! More dogs, fewer humans, that's what I always say! AND more books about dogs. 

Virginia Woolf, the icon that she is, wrote a book about a dog. A real dog! Elizabeth Bennett Browning's dog, whose name was Flush. The perfect cocker spaniel; a beautiful soul, a wonderful companion. This books lends itself both as a biography for Flush, but also for Elizabeth Bennett Browning, albeit with a lot of creative liberties taken, of course. We see her life progress, only as it comes to affect Flush: how much attention he's getting, what sort of walks he's been on. It's such a charming concept, and it was lovely read over Christmas... for the most part.

Poor Flush, as dogs usually are, was merely swept up in the lives of the humans around him. I felt sorry for Flush for a sizeable chunk of this book. It transpires that Elizabeth had what we would now recognise to be Chronic Fatigue Syndrome. And since she spent most of her time alone in her bedroom, resting, so did Flush. The poor little tyke, for years, merely sat on the sofa beside her. As a dog owner myself, I couldn't imagine condemning any dog to this docile life, let alone a spaniel! Have you ever met a spaniel? They're mental! And this is just the beginnings of the stresses and traumas that Flush endures throughout the course of his life.

During troubling times for Flush, the book became very difficult to read. The vivid description from his point of view was disarming and upsetting, to say the least. I found myself furious with the humans who left sweet Flush to his fate. It was quite grounding to see our actions through the eyes of an innocent and loyal animal, and reminded me how wholly they rely on us for their happiness and health.

This book was surprisingly well fleshed out, considering the narrator is a spaniel, and it was just nice to allow myself to be swept up in the story, and not question its accuracy too much. It was both a lovely and a haunting read for a dog-lover. Only proceed if you can keep your furry little friend close by for quick squeezes and snuggles when things get tough for Flush!

- Sian

Paperback, £2. Find it in the classics section!

The Eye of The World, by Robert Jordan

Before I start this review, let me give you a piece of advice: don't read the blurb on the back of this book. It didn't completely ruin my reading experience, but it does give a spoiler that does not actually occur until the very last page of the book. So! Here’s a blurb that does not include that spoiler....

“The Eye of The World” is the first book in the “Wheel of Time” series, which is an epic high fantasy series of 14 books – yes, fourteen books. We start in a small village in Two Rivers where Moraine meets 3 young men who are being hunted by evil agents of the Shadow. She must guide them through lands of myth and legend to Tar Valon, where they will be safe.

And that is all you really need to know - the rest is best left untold until you discover it in your reading.

Overall, I really enjoyed this. If you haven’t read fantasy before, this would not be a good one to start with. The world is very complex, and Jordan does not take the time to explain it. When the story starts, it's like you’re expected to know all the terminology and the history of this world already. Thankfully there’s a glossary at the back, which I used extensively to understand what’s being referred to. But it does get easier as the book goes on.

Something worth noting about the glossary: it doesn't tell you anything that the characters do not already know or will be explained to them. For instance, “The Eye of The World” is not in the glossary; whilst one of the characters knows what it is, the rest do not. The glossary doesn’t spoil anything: when it’s revealed, you find out with the rest of the characters.

I did find that about midway through I started to struggle. The entire book is told in the third person, mainly from Rand's perspective. Around the middle, however, there is a narrative change, and after seeing so much from Rand's perspective, I really found it difficult to adapt to that change. Eventually I did appreciate it and found it actually gave me a more rounded out experience of what was happening.

One of my biggest "complaints" about this book is its similarities to “The Lord of the Rings” series. There is a journey, there is a magical person guiding a group of seemingly hapless people, there are even species similar to Orcs and Nazgul. However - Tolkien was the father of epic fantasy series and it's inevitable that high fantasy books written after “The Lord of The Rings” will have been influenced by them.

So, the big question is: Will I continue with this series? The answer is yes. I found this to be a real page turner, and the writing very accessible. I loved the cast of characters and I want to know what will happen to them. Despite similarities with “The Lord of Rings”, this series still has enough original storyline to keep me excited and invested.

- Jenny (@budgetbooklover)

Paperback, £9.99. Find it in the Sci-fi & Fantasy section!

Widowland, by CJ Carey

It’s 1953 and Britain is on the eve of the second coronation of Edward VIII, thirteen years after a pact with Nazi Germany. Rose Ransom is in an elite class of women and works for the Ministry of Culture, bringing works of literature into line with Nazi ideals. Meanwhile, acts of vandalism involving lines of text from forbidden books are being blamed on women who are forced to live in the run-down ghetto known as Widowland. As an expert in the works the rebellious women are quoting, Rose is tasked to uncover the source before The Leader arrives in England…

I love good speculative and dystopian fiction, especially those set in a believable alternate reality. The reality portrayed here is all too believable, with well-rounded characters and a sense of the early 1950s in our reality with an Orwellian overlay of suspicion and paranoia. The result is a feminist thriller, with elements of Robert Harris' Fatherland and Margaret Atwood’s The Handmaid’s Tale.

This could be a good book club read, as there’s a lot to discuss, but it’s also written with a style that makes it enjoyable despite the dystopian setting.

- Paul

Hardback, £14.99 - paperback released April 2022. Find it in the fiction 

Fingersmith, by Sarah Waters

Two girls, who know nothing of each other, are thrown together in their teenage years.  Sue has been raised by villains and thieves in what amounts to a "den" in the backstreets of London. She knows poverty and hardship, but, despite losing her own mother as a baby, knows she is loved by Mrs Suckersby, the brains of the criminal operation.

Maud has grown up under the care of her uncle, in a manor house in the countryside, totally isolated from the real world outside their estate. Maud has also lost her mum, but she is neither loved nor cherished by her uncle, who uses his niece to further his strange literary research.

Enter the handsome and enigmatic Gentleman.  He has a devilish plan to wheedle his way into Maud's life and heart, in pursuit of the family fortune which she will inherit on her eighteenth birthday, and Sue is a crucial part of his plan.

Sarah Waters is a master story-teller, and this tale is one of those rare books that I just couldn't wait to get back to, and was grateful for a long read (500 pages).  Bed-time got earlier and earlier as I was drawn deeper into the plot!  The relationship between the two girls is heart-warming, but at the same time that I was celebrating their friendship I was feeling Sue's guilt at being part of Maud's imminent downfall.

I really liked Sue, and I just wanted the Gentleman to disappear so that the girls could just settle into a quiet and peaceful existence together, giving and getting exactly what each deserved in their young but troubled lives.

But that wouldn't have made for much of a tale, would it?  Instead, Waters weaves a dramatic spider-web of deceit and betrayal, which leaves the reader heartbroken over the potential fate of both girls. And even though we learn early on in the story about Gentleman's dastardly deed, that's really just the start of the plot twists. 

- Jeanette

Paperback, £8.99. Find it in the Fiction section!

All the Things we Do in the Dark, by Saundra Mitchell

“Nooo! I forgot my book. What am I going to read while I eat my lunch?!”

“You’re in a book shop – just pick something!”

“Fine! This one!”


Ah, a love story for the ages: a human and their book, reluctantly meeting in a flurry of hunger and desperation. Alas, we did meet, and that’s what truly matters! So here we go…

Ava has been through enough. Like, from childhood, she’s been through enough pain and fear for a lifetime. She’s dealing with far more than what should have been her lot; anyone’s lot, for that matter. But there are bad people out there, and because of bad people, Ava knows how to protect herself. Her mother knows how to protect her. So does her best friend, her tattoo artist, her… well, that’s about it really. Those are all the people.

But Ava literally strays down the wrong path one day, and she finds a dead body. She names her Jane Doe, and she is her friend. Not the alive Jane Doe; the dead Jane Doe. Jane was hurt too, just like Ava was. Ava can tell. Jane Doe was lucky enough to die from her pain. Ava is left behind to live with the hers.

In protecting Jane from further humiliation, grief, and anguish, Ava doesn’t tell a soul about her. Not even her best friend or her mother or her tattoo artist.

And as if finding a dead body weren’t frightening enough for a trauma-riddled teenager, she also falls in love in the same week. The world is bonkers, and it keeps surprising Ava. And things only get more twisted from there.

A member of our book club describes certain books as “Soul Books”. I suppose that is a play on soulmate, and frankly, it is perfection. And in grabbing this book at random one day, I found my third Soul Book*.

There are short breaks in this story for poetry. The prose is its very own special poetry. It is lyrical, immeasurable, unemulated; it has clarity and irreverence and power that I have been needing to drink down like a thirsty peasant. At times, I just had to put the book down, shut my eyes, and think about nothing. Just to give myself a chance to catch up.

This book is deceptively powerful and an emotional ride. Approach with caution, and with open arms. I’ll certainly be keeping it close for a while.

*The other two are “The Fault in our Stars”, by John Green; and “I’ll Give You the Sun”, by Jandy Nelson.  

- Sian

Paperback, £7.99. Find it in the Young Adult section!

*Content warning: assault, sexual trauma, flashbacks

Moonfleet, by J Meade Faulkner

Moonfleet is a lovely quick read for an adult, and I imagine it to be a spell binding adventure for younger readers. With the chapters being relatively short, it makes an ideal bedtime chapter book for tweens.

This story has a similar vibe to Treasure Island, with its young protagonist John Trenchard, like Jim Hawkins, beginning the story parentless and living in a costal Inn. Stories of pirates and smugglers fill John’s head, and before long he is caught up in his own adventure.

My favourite part of this story was the code-breaking and treasure hunt element, which really made me feel I was on that journey with John, which helped me become invested in the narrative… as if pirates weren’t enough!

There’s plenty of action to capture the attention of young readers, with twists and turns to keep it fresh, and injustices to make your blood boil. It’s the sort of book that – if you were to read it young - would stick with you and make you want to revisit it. As an adult, it makes you want to go and explore the places mentioned in the story and imagine your own pirate filled adventures.

- Anara

Paperback, £3.99. Find it in our children's section!

Take Me With You When You Go, by David Levithan and Jennifer Niven

This book is an epistolary - which in this case means it is formed entirely of emails - a fact which, initially, put me off picking up the book. I'm not necessarily sure why it put me off, since every epistolary I've read has been wildly successful and engaging. Alas, I gave in and I really enjoyed it.

The emails are between siblings Bea and Ezra, after Bea runs away from home. Being a few years older than Ezra, Bea feels she's ready to escape their disastrous and terrifying home life... and leaves Ezra behind. About which Ezra is livid. He's stuck behind with their dangerous step father and clueless mother; stuck with Bea's ex-boyfriend, the latter of whom believes Ezra knows more about Bea's whereabouts than he's letting on. 

And to be fair, he does. Nobody knows that Ezra is in touch with Bea, nor does anyone know that she has gone looking for their biological father. It's all a bit of a mess, really.

This story definitely had me on the edge of my seat at times, willing these helpless teenagers to find sanctuary, acceptance, and contentment, despite the awful adults surrounding them. It gets you thinking about connection and identity; about how distant those things may feel if you don't know where you came from, or who loves you. Who wants you. Who lied about those things.

A solid young adult drama, with a real depth and gripping plot development. There's a lot to learn from these young characters, even as an adult. 

- Sian

Paperback, £7.99. You can find this in the Young Adult section!

Stranger in the Shogun's City, by Amy Stanley

Stranger In The Shogun's City focuses on the daughter of a Buddhist priest, Tsuneno. Born in 1804 in Japan's snow country, she defied convention by running away from her family to Edo, which we now call Tokyo, following her third divorce. Through the letters she sent home, we see her forge her own path in life.

Woven around Tsuneno's story is the history of Edo and Japan at the time. The world was changing and soon Japan would also be changing. The people featured are also gone, which is a sobering thought, but I love that part of them now lives on through the pages of this book.

Overall this was a really interesting and compelling book. Whilst this is essentially a history book, the narrative following Tsuneno and her family added an additional human element. You become invested in her life and want to know how she fares. Considering all that is left of her are the few letters she sent home, and some of the replies, Stanley manages to build up a rounded picture of her personality and impulsive temperament. 

That being said sometimes I felt that Stanley overplayed the "she might have" narrative. The fact is that we don't know a lot of what Tsuneno was thinking, and whilst it is interesting to speculate, there were a few chapters where I felt we were given too many options of what she might have thought, and I found it grating.

But that is a minor grumble really. Overall, this was incredibly well researched, as demonstrated by the extensive notes and bibliography, and is a love letter to Edo, a place which no longer exists. 

I would like to read more from Stanley and would especially like to learn more about her research into Tsuneno and Edo.

- Jenny, @budgetbooklover on Instagram 

Paperback, £9.99. Find it in the History section!

Small Pleasures, by Clare Chambers

Living in London and working for a newspaper in the 50’s, Jean could have been the typically written assertive go-getter woman journalist. But instead the reader meets a gentle soul in Jean. Jean cares for her mother and has to fit in with her way of living, leaving her little freedom. Both the reader and Jean can quite easily see her life stretching into that dull horizon of servitude.

However, Jean grasps at the most intriguing story to investigate: a real-life immaculate conception. Through Jean we learn Gretchen’s story and meet her family. Gretchen seems to have it all: the nice home, a devoted and loving husband, and a wonderful - possibly Godsent - daughter. But things don’t seem to quite add up. 

This story captures the reader from the beginning, with a clip of a newspaper article, which, by the middle of this intriguing tale, I had all but forgotten. As I read, I grew more intrigued by Gretchen’s behaviour than the origins of her conception, although that thread of the story is interesting, and comes into play further down the line.

It’s Chambers's characters and their interactions that really clinch it for me. You become Jean's unseen best friend, and you root for her, and you feel divided over which outcome you want to see: her finding the truth or publishing a mind-blowing article.

- Anara

Paperback, £8.99. Find this in our Fiction section!

[This story does bring up some issues that people with particular triggers may wish to avoid however these instances I felt were dealt with very gently and not in great detail.]

The Shadows of London series, by Maureen Johnson

“The Name of the Star” starts with Rory’s move from the United States to a boarding school in London, just as a Jack the Ripper copy-cat starts committing murders around the city. It draws a media frenzy to her neighbourhood, and under the most unlikely circumstances, Rory finds herself in the middle of the chaos. The weirdest people start popping up, and danger seems to be as common as cottage pie in the school canteen.

I don’t normally read a lot of fantasy, so this good old fashioned ghost story is the most wonderful palette cleanser when I just want that perfect mix of the familiarity of studying for A Levels in dreary British weather, crossed with the unsettled world of the supernatural, and heart-stopping conflict. And Rory makes the most wonderful protagonist: curious, funny, intelligent, independent, reckless, and just a little bit odd. There is light and dark in every person you meet in this series, and it keeps things unpredictable and gripping the whole way through.

I’ve only described the first book in this series to you: “The Madness Underneath” and “The Shadow Cabinet” are just as thrilling, and prove that Maureen Johnson’s ability to add nuance, depth, and tension in a fantasy story world is, well, fantastic. Rory finds herself in dangerous company, dragged into things far beyond her expectation or comprehension, and we – ourselves – start to wonder where life ends and death begins. The end of the third book leaves us in such a state of high stakes, mystery, and genuine fear, the fact that we are still waiting for the fourth instalment is killing me.

If you’re looking for a quick but compelling series to power through, here is your sign to pick this up. You won’t be disappointed.

- Sian

Paperback, £7.99. You can find this in the Young Adult section!